Marcin Malek

Marcin Malek

  • Joined: 18/04/2024
  • Articles: 114

The Bowman’s Banter Column

The bowmans banter

My first bow was a Diana longbow made by a Polish company called Lukbis. It was a wonder that felt as light as air, built to simplicity and beauty, and at a draw weight of 38lb, felt in your hand more like a toy than a weapon. Not only was this bow my first foray into archery; it was the foundation of my bow-wielding journey, one that taught me a great deal about form, technique, and the kind of unfathomable, silent connection that exists between archer and arrow.

Like so many newbies, I started shooting wooden arrows with plastic nocks, a sensible combination ideal for mastering the fundamentals. However, as my interest grew, I began seeking alternatives, motivated by a commitment to embrace the old-school craftsmanship of the sport.

Marcin’s Favourite historical Figures Column

TIFAM 38 (11)

Eugen Herrigel. The name doesn’t stride confidently through history’s corridors. It lingers instead in its dimly lit corners, somewhere between the poetry of a fleeting idea and the stern weight of unyielding reality. You won’t find him leading armies or…...

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TIFAM FESTIVAL UPDATE

TIFAM 38 (11)

This year’s festival, now in its third edition, promises something very different from all its precedents. It will be a celebration not only of the discipline of archery but also of its growing reach and resonance in Irish communities. Perhaps…

Smack my controversy – Anchor Point Arrogance

TIFAM 37 (5)

Welcome, readers! This time, I’ve got something for you that’s bound to ruffle some feathers—but hey, that’s the whole point of this column. It’s here to provoke, to poke, and to stick a thorn right where it hurts the most. Remember, though, the conversation doesn’t end here—I’m eagerly awaiting your responses! Be outraged, tear my opinions to shreds, and “smack my controversy” as hard as you can!

Through Arrows’ Flight

Lesser

Longtime readers will undoubtedly have noticed that I’ve always been rather fascinated by the history part of archery. The bow has a way of reaching through the centuries, linking us to people who stood before making their release under skies numerous times changed yet still creating that same smooth arc. However this time, I have chosen to go a little further under the covers of the books, dusting off old tomes and brushing aside forgotten fables, to whisk you away into the first few decades of the 20th century. A story of how archery, an ancient art, found itself in that lovely juxtaposition of sitting with one foot firmly implanted in preserving tradition while the other foot fits oddly into a shoe designed to help you navigate modern chaos.

Latimer’s Arching Vision

Latimer

There are books that do not simply live upon shelves but rather take root in the hollows of your chest, pulsing in quiet defiance of forgetfulness. Matt Latimer’s The Phoenix Archer is such a book, not content to merely be read but insisting upon being absorbed, like breath, like blood. To enter its pages is not a choice; it is an inevitability, a surrender to a world that demands not only attention but allegiance.

The Bowman’s Banter

Banter

Why did the archer bring a ladder to practice? Because they wanted to raise their game! Now, if only all of us had such practical solutions to the peculiar challenges of this noble sport. Archery’s grand, to be sure, but if you’re imagining serene moments of poetic precision, free of mishap or interference, you’ve likely never shot a single arrow on this rain-soaked isle. No, the truth of it is that archery in Ireland has a way of humbling even the steadiest hand, often with the help of a few choice characters.

The Cruelty of Tension

The Chronicles of Narnia box set cover

C.S. Lewis’s The Chronicles of Narnia is a work so steeped in allegory that every element feels laden with meaning. Among these, the bow—gifted to Susan Pevensie—stands out as a symbol not only of strength and discipline but of choice, a curious mix of autonomy and submission to a higher purpose. I often reflect on this choice as I hold manuscripts in my hands, wondering if the writer truly understands the weapon they wield. A bow, after all, is not a casual gift. It demands skill, precision, and faith, not unlike the very act of writing itself. Lewis was a writer who understood the importance of symbols. His life, punctuated by tragedy and a long wrestling match with faith, shaped his fiction in profound ways. Raised in a bookish home, he lost his mother at a young age and endured the horrors of the First World War—a crucible that left him both skeptical of shallow optimism and hungry for meaning. 

Flight of Dreams

Phoenix archer book cover12.7 x 20.32 cm (2)

From Bow to Book It’s not every day you watch a friend’s dream take flight. But today, with the release of The Phoenix Archer, that’s exactly what I’m doing. Matt Latimer isn’t just an author to me—he’s a friend, a…