A film review of frontier brutality, archery, and the quiet horror of survival. There’s something primal about the way American Primeval treats archery—something that strips it of romance, of the quiet elegance we might have once attributed to it in…
There’s a curious thing about homecomings. They aren’t quite what we imagine them to be, are they? A man sets out, faces the tempests of the world, and dreams of the day he will step across the threshold of home,…
Aiming for Connection Archery isn’t just a sport or a skill—it’s an invitation to step into a world that challenges and rewards in equal measure. It prompts precision, patience, and self-awareness, and it always gives something more in return. Whether you…
My first bow was a Diana longbow made by a Polish company called Lukbis. It was a wonder that felt as light as air, built to simplicity and beauty, and at a draw weight of 38lb, felt in your hand more like a toy than a weapon. Not only was this bow my first foray into archery; it was the foundation of my bow-wielding journey, one that taught me a great deal about form, technique, and the kind of unfathomable, silent connection that exists between archer and arrow.
Like so many newbies, I started shooting wooden arrows with plastic nocks, a sensible combination ideal for mastering the fundamentals. However, as my interest grew, I began seeking alternatives, motivated by a commitment to embrace the old-school craftsmanship of the sport.
The sacred cow of archery technique—the release. Countless books, videos, and coaching seminars have exalted the act of letting the string slip from the fingers as the moment of transcendent perfection, the alpha and omega of a good shot. But…...
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