Primeval and Forsaken
Marcin Malek- January 22, 2025
A film review of frontier brutality, archery, and the quiet horror of survival. There’s something primal about the way American Primeval treats archery—something that…
When Heroes Fade
- Marcin Malek
- January 20, 2025
There’s a curious thing about homecomings. They aren’t quite what we imagine them to be, are they? A man sets out, faces the tempests…
Lesser things and trivia column
- Martin Kroshkin
- January 5, 2025
The leaden days of socialist monotony in the 1970s and 80s had an odd way of pressing on the spirit, like a cold fog…...
Freedom’s Quiet Flame
- Martin Kroshkin
- December 21, 2024
The dimly lit, rain-soaked cinemas of 1980s Soviet life provided brief but significant havens. Among the films, Sergei Tarasov's 1985 Чернaя стрела (The Black Arrow) stood out not only as entertainment but also as an event—an artefact of a society struggling with its paradoxes. Under the heavy shadow of a collapsing Soviet ideology, this rendition of Robert Louis Stevenson's story connected as both metaphor and adventure, a revolt against the ordinary disguised as historical epic.
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