Arrows Across the 38th Parallel

There are places where history does not settle, where time folds in on itself, leaving wounds that never scar over. Korea is such a place. A land split not by nature, nor by the will of its people, but by…
There are places where history does not settle, where time folds in on itself, leaving wounds that never scar over. Korea is such a place. A land split not by nature, nor by the will of its people, but by…
There’s a weight to words when they are written by those who have never touched the landscapes they paint, yet summon them with such clarity you’d swear they had walked the paths themselves. Karl May never set foot in the…...
A life spent among words—their ripples, their surges, their deceptive ebbs—is also a life surrendered to a quiet yet consuming enchantment. The strangely beautiful paths they carve alternate between the solid ground of reality and the mercurial landscapes uplifted in…...
C.S. Lewis’s The Chronicles of Narnia is a work so steeped in allegory that every element feels laden with meaning. Among these, the bow—gifted to Susan Pevensie—stands out as a symbol not only of strength and discipline but of choice, a curious mix of autonomy and submission to a higher purpose. I often reflect on this choice as I hold manuscripts in my hands, wondering if the writer truly understands the weapon they wield. A bow, after all, is not a casual gift. It demands skill, precision, and faith, not unlike the very act of writing itself. Lewis was a writer who understood the importance of symbols. His life, punctuated by tragedy and a long wrestling match with faith, shaped his fiction in profound ways. Raised in a bookish home, he lost his mother at a young age and endured the horrors of the First World War—a crucible that left him both skeptical of shallow optimism and hungry for meaning.