War of the Feathers – Part 4
V It was the same horse that had thrown Evander from its saddle not long ago. But that hardly mattered to him as he spurred it on, past the dead splayed across the battlefield, after the rider. He didn’t need…
Tag Archery Fantasy
War of the Feathers – Part 3
Day 2 I It had been too long a night. For General Casey Aiza his restlessness was now searing into something more tangible, a solid force he could finally apply. Still, it was bittersweet in a way. Since he was…
War of the Feathers – Part 2
IV “I always wanted to do a landscape of the Mayne Lighthouse,” Ebrill said, relief in her voice as they clattered down the steps of the lighthouse’s base into the refreshingly cool, salty air. Evander enjoyed the taste and smell…
Justice, of a Sort
Aeker Murdock had been invited to a major archery event held in the Kingdom of Xellcarr. As the archery guild’s Master of Crows, he was often called upon to guest inspect private, or national, competitions. His title, a hangover from…
War of the Feathers – Part I
The beginning of a war, the arrows of one nation against the griffin worshiping ideology of another nation.
Following on from the prologue published last month, Evander Penrose must endure against the surrealist nature of this conflict and build a defence to repel vast odds.
Chanjion
Animosity between Tevaller and Chanjion began when a Tevaller King had a vision of a serpent people putting nations in chains, believed to be the Chanjion. The Tevaller began occupying Chanjion land thereafter. Chanjion had no army, and at the…
War of the Feathers
When a holy beast is slain by a rogue and so-called Maytoni prince retribution comes fast for the Maytoni nation. Their neighbours, the Xellcarrians, once bonded allies, are seeking blood as recompense.
Royalism is akin to heresy within Maytoni, going against their values of equality and equity - but this hardly stops families with bloodlines rooted in lost riches and prestige.
As the prelude to total war plays out on the Mayne Peninsula, Evander Penrose of the Maytoni Summiteers, elite archers, finds himself in unofficial command. He understands the contrived origins of the conflict, and wants the so-called prince handed over. Yet with the preparator in flight, and thirty thousand Xellcarrians on the horizon, Evander must hold off annexation, against six to one odds, whilst doing everything he can to prevent further escalation.
Yet the Xellcarrians are not his true enemy, as the Maytoni pro-royalist elements seek to ensure bloody total war erupts to ensure the resurgence of their own power.
For anyone who has read The Phoenix Archer, the name Evander Penrose and the War of the Feathers will be recognisable. This is his story about a defining event which has a profound effect on his character in The Phoenix Archer follow up, Orion's Legacy.
Mercy
The sixth in a series of short stories about The Archery Guild and its members, set in a fantasy world, known as Anordaithe.
Here you are finally introduced to a mythical figure only spoken about thus far in the pages of The Phoenix Archer.
The Phoenix Archer – Orion’s Legacy – Chapter 5
Considered the most established of Anordaithe’s five continents, The Sigel still hides beautiful and wicked revelations yet to be found.
After receiving an invitation from the Maytoni Summiteers, Alejandro Zaragosa, Ksenia Kiamount, and Blair Ruthvane travel to The Sigel. The trio fall into a conspiracy, millennia in the making, forcing them along a path which crosses into the works of the very legend whose crusade sought to slay Alejandro - Orion Aldenberg.
Lost on another trail, Luciana Doran is in mourning for the man who restored a life to her. With a rogue Summiteer, she pursues the tracks of an unknown force threatening to bring forth an evil Orion worked to keep secret.
Presenting, the follow up to The Phoenix Archer, set shortly after the events of the first story, The Phoenix Archer - Orion's Legacy.
Freedom’s Quiet Flame
The dimly lit, rain-soaked cinemas of 1980s Soviet life provided brief but significant havens. Among the films, Sergei Tarasov's 1985 Чернaя стрела (The Black Arrow) stood out not only as entertainment but also as an event—an artefact of a society struggling with its paradoxes. Under the heavy shadow of a collapsing Soviet ideology, this rendition of Robert Louis Stevenson's story connected as both metaphor and adventure, a revolt against the ordinary disguised as historical epic.